Marathon Viewing The Latest Christmas Films: The Hits, The Misses, and The Guilty Pleasures.
‘Tis the time of year to relax on the sofa and devour a packet of mince pies in front of a terrific flick, a bad movie, or one that’s terrible yet terrific.
As always, a selection of latest seasonal stories strives to join part of our seasonal watchlist—maybe even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a helpful attempt to distinguish the gems from the coal, and to find the holiday mood, I watched as many fresh holiday releases as possible in a single day.
7.17am - A Very Jonas Christmas Movie
Starting, ideally, on a good foot. This release is the sole 2025 title on a popular review site's list of the best 100 holiday films of all time.
The musical trio are trapped in the UK after concluding their global concert series and must get home for Christmas. Their attempts are hampered by an malevolent Father Christmas, who sings to declare they won’t get home until they “rediscover their familial spark.”
The repartee between the squabbling siblings is enjoyable even for the uninitiated, while followers will no doubt catch lots of easter eggs as they try to get back using all transportation available.
It’s private planes, trains and automobiles.
It’s not a timeless masterpiece, but is great for fans and a solid start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who are obliged to sit through it.
8.45am - Tinsel Town
Hollywood star Kiefer Sutherland appears as a celebrity cast a traditional British stage show.
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and older star Brad Mack, who has hit a rough patch and whose representative has tricked him into thinking he’s starring in renowned British drama.
His pantomime cast-mates let him know he’s playing Buttons. “No I'm not,” he insists angrily. It's easy to predict their response. That is, unless you’re unfamiliar with traditional British theatre traditions.
There are some great jokes, some heartwarming storylines, and the ensemble is brilliant, too.
It’s the type of film that would be a bit naff at another season, but is a great entertainment at Christmas.
Holiday verdict: 🎄🎄🎄🎄
Mid-Morning: Christmas Karma
An actor pops up at the beginning of this film, too, delivering a signature line for the next movie straight. Is this a new Christmas tradition?
This time, he’s a singing black cab driver who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story progresses as the miserly Mr Sood is visited by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least different from all the others, but sadly he’s not very compelling and Nayyar’s portrayal is flat—a significant issue when he’s so the main character.
Festive score: 🎄🎄
12.04pm - Stuffed
There's just enough time for a channel's original festive film—which stars Guz Khan as a endearingly grumpy man who “doesn’t really do Christmas.”
But after he is awarded an large festive windfall at work, his wife (portrayed by Morgana Robinson) convinces him splurging the cash on a holiday to Lapland.
There’s just one snag—he discovers there was an mix-up with his bonus, which should have been £800, and he has to determine how to reimburse the difference.
Pleasant yet unmemorable.
Holiday verdict: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those holiday movies where the festive trappings are in the background—Christmas is the environment of the film rather than its main point—but it feels warm and holiday-like all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is assigned to a country estate to do a deal for a sparkling wine company. En route, she encounters a man in a literary haven who promises to show her the holidays in the City of Light.
A critic recently declared this is the best new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a Christmas romance with a hint of sophistication and gives the required warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is very good too.
Christmas tree rating: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Teenage Chris, played by Lenny Rush, continues to believe in Father Christmas, regardless of the persuasion of his dad (played by James Buckley) to tell him the truth.
The answer is somewhere, and Chris ventures forth to find it with the guidance of a panel of well-known scientists and personalities.
It’s gentle but charming, and perfect viewing while expecting Santa to visit.
Christmas tree rating: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the matriarch of a dysfunctional American family who reunite for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the concept, but in execution it’s really a combination of those aforementioned movies, at least until Pfeiffer’s character at last finds her strength.
Holiday verdict: 🎄🎄
Evening: A Scottish Christmas Secret
The day’s waned in quality, but thankfully here’s a new entry in the saturated market of cliched, saccharine, over-the-top—and utterly watchable—festive fodder.
It’s a story as old as time: An American woman goes on a quest to a far-off wintery locale and ends up discovering romance.
In this case, Caprice Bourret plays a publisher